In my expanded series on managing irregular income as a freelancer I covered budgets in depth last week. This week we move on to step two, salary negotiation.
In my first post on this I covered the issue in a rather flippant manner, “Having worked out the budget for personal and business expenses you are ready to move on to the second part, salary negotiation. This part is easy. Your total budget number is your target salary. So as the employee you go to your boss (you) and ask for this. Your boss (you) then says yes. Celebrate with a cocktail.”
In truth the issue is more complex. Let’s assume for the sake of argument that you worked through your budget and arrived at a number of $4,000 a month. This does not mean you look to make $4k a month from your freelance contracts. It does mean that you need to make, on average, at least $4k a month. The whole point of this system is to even out the irregularity of the work cycle. Your standard of living does not need to fluctuate in the same cyclical manner as your work income.
Chances are if your target budget is $4k, your target monthly income will need to be closer to 6K. I will cover emergency funds next week, but this all ties into that topic. You want your business to be able to continue paying you even when you do not receive payment from your clients for weeks or months at a stretch. As such you will need to shoot for a monthly income that takes into account not only current expenses, but rising future expenses and/or a decline in future income.
Further, it is critical that your business maintain a cash reserve thus making it possible to pay assistants, subcontractors, etc. without concern for incoming checks. Targeting your business income high enough to meet all operating costs, that includes your personal salary and covers subcontractors, creates a positive atmosphere where assistants and subcontractors will want to keep working with you because they know you can be trusted to pay them on time.
This gets down to the question of how to pick projects. How you evaluate projects is a very personal decision, I have found myself refining and changing those criteria regularly as I continually check in with myself about wether or not the choice I am making is right for me. Some people will only take projects that are deeply satisfying on a creative level. Others are fine with anything so long as the people they work with are engaging. Still others will take anything that pays above a certain minimum. There are many variations and permutations of these options and finding the right balance is up to you.
One major criteria that you will be measuring all this against is your budget. If you need to make $4-6K a month you will need to find a balance of types of projects that will bring in that income. If you find that the types of projects you are willing to work on will not bring you the income you desire, then you may need to go back to step one and reevaluate your spending patterns or reconsider the standards you use to evaluate potential projects.
The balance between your budget and your target salary must be made carefully. Budgeting for a $6k monthly income when you only make 3k will turn into a disaster in short order with rising debt levels and increasing stress. Instead one must look at current income levels and future projections thereof to determine target income. From there balancing the budget with the income is rather simple.
The key in this step is honesty. While it might have felt good to design a budget with a monthly income of 6K, if your realistic monthly earnings are closer to 3K you need to bring that into consideration. This is also the part of the process where you review your budget for possible cuts in spending. Since we based our budget on actual spending habits we now take the time to look at those habits to see which might be changed or massaged in order to bring the budget number in line with the income.
The balance between income and spending is of critical importance towards creating a smooth economic life as a freelancer. Being clear and honest with yourself will allow you set up a system that has both a strong foundation and is robust enough to weather the many economic vicissitudes that come your way.
Originally published at Light Cue 23. Please leave any comments there.

I'm going to tell you a story, and although, like all good stories, there are some sad parts, it is a happy story. You have to trust me.
There was a cat. She was desperate and doomed, as were her children. One day she was kidnapped and her children taken away. The catmother never got over this, but she lived warm and clean and well fed and was no longer desperate nor doomed, though she was always a bit sad and a bit afraid. One day she died, but her children, far from desperate, far from doomed lived wonderful, beautiful lives because she had found for them everything a catmother could ever hope to give her children, and much more.


- Mood:
hopeful


tomorrow nyc.
( come on get in the car... )
Go forth and make me proud.
Она Слушает классику
Читает Собачье сердце
Носит бабушкины балетки
И не признает унисекс
...
а еще у нее нет компьютера
счастливый человек
( ... )
- Who is Paris, what does he want?
- Diver is the first one chosen by Paris and Treaclefire to be part of the ... oblation, I guess.
- Diver's family and his people (this one is making me emo).
- Diver has an eidetic memory. This becomes important later because it explains all the scenes where he meets the others in the band before training.
- That there is a local antagonist in Treaclefire that provides a little commonality, and justifies the Parents' Rebellion later.
So far, I'm handling it poorly. Telling, not showing. I know it's anathema to most writers, but I do not feel right pressing on if the beginning doesn't work. I am building up, and I need to check the foundations before I go. Actually writing down what I need in the beginning is helpful. I know it's just going to distract me if I do not loop back and fix things, as much as it makes moving forward harder.
2) This ties into the last Readercon Reduction, because a lot of the elements that came into the story did from a combination of
You see, there were very few parents in the short story, and I had not given them much in the way of thought. There were Rory's parents, Ruth's preacher daddy, and Gavel's drunk, abusive daddy. Now I know Diver's parents (slightly awkward relationship with their eldest son who remembers everything), Jesseth's parents (dad and stepmother, who is not much older than Jesseth, but both, I think, are pretty sympathetic), Gan's mother (independent business woman who tossed her husband out, runs the dry goods, is roundly hated by everyone in town because her husband got them on his side and then had the good fortune to die, cementing their views and because the torch was picked up by local antagonist, who courted her for her money and business and got spurned). I know that the Kacias were strong-armed into giving up Diver and were going to be forced to fill all the spaces in the levy at first, they did not take it lying down, and by the time the band leaves Treaclefire, a group of Kacias and some of the parents will have tried to storm the guest house, possibly killed by Paris, and the Kacias will have been driven out of town.
I know that Diver is going to set out at the end to kill Paris, though I am not sure that's going to make it into the text.
Anyway, writing all this has been useful to me. Hopefully someone else is entertained as well.
,
The review as a full page, but here's one thing I said:
Shadow was not an easy book for me. I was conscious of my body as I read it: leaning over the kitchen table with my breasts pressing against the edge, shifting sideways in a chair with one leg hanging over the arm. Lying on the bed with the book propped up on my belly and my jeans unfastened to give me room to breathe. I was aware of myself as a fat woman listening to other fat women, always with one eye on how we look to thin people, the only people who have ever counted. I’ve spent a lifetime feeling repulsive, so I’m not about to wake up to the fact that I’m a full human being (and I mean full) without hesitations and suspicions. But the honesty in these articles, interviews, and poems reached me, and I forgot, for a while, anyway, those other eyes and the compulsion to laugh…”
And here's how it ends:
Shadow on a Tightrope leaves me with a lot of anger and some unmet needs, but it also leaves me with the voices of fat women as sensitive, articulate, creative beings. That’s a rare sound in literature. I’m starving for more.”
It was an overstatement to say that I'd spent a lifetime feeling repulsive. I'd always had plenty of joy, but it's true that there was a current of that feeling alive inside me, and this was the first I'd seen that there might be ways to address it other than the endless dieting merry-go-round that, even then, I'd already spent more than enough time on.
I am interested in getting some alternate voices here on my blog. If you read this and are a designer, technician or stage manager, I would love to have your voice available to my readers. If I do not know you personally be sure and include a resume or on-line portfolio when you contact me, so I can get a sense of who you are. Designers need not be limited to lighting. I would be interested in other designers presencing their views on theater and design here as well so do let me know if you are interested.
If you do not have my email either use comments below or the contact info at the bottom of the page.
Originally published at Light Cue 23. Please leave any comments there.
I miss Paris. I really do love traveling.
D and Jack are off at yellowstone. I have got almost nothing done. 10 weeks until school starts again, unless something pops with the job I am looking at.
All photography by Ansley Simmons of Ansley Studio, LLC.
Take picture of egret in our pond. There it is,
too much pond scum but...
Watched Gamera Guardian of the Universe last night.
Roger Ebert liked it and so do I. the trailer is at
http://www.youtube.com/watch?v=e32GJ8HU
there is something pleasing about the determined visage
of a jet propelled(his own exhaust presumably as Ebert
notes since he is organic) turtle coming to save the
world and so the essence of the film is in this brief
clip. It is from the 1990s Heisei series which brilliantly
brings up to date the Japanese monster movies in terms of
computer generated imagery etc. realistic, campy, funny
perhaps also.
a great line I thought. Young man to young lady from
the countryside "Some day I will show you around a
monster-free Tokyo! but not any time soon I guess
on the evidence here.
Receive a forwarding of an article from "Ancient America"
asserting the discovery of a fifth century church built
by eastern Christian monks from north africa in
Connecticut. A little quick research by google shows the
editor is a former neonazi child molester who lost his
nazi possiblities when he was found to be Jewish. Other
articles are said to include images of american cactus
painted by scottish travellers two centuries before
Columbus, and a phonecian altar for human sacrifice
in Chicago (a long time ago that is. if today it might
be plausible) I advise sender to go slow on urging that
Orthodox Churches make much of this find and try to buy
the property.
Otherwise I am remembering Eric Cox and looking through
old posts I find about all I remember about him and here
it is( Read more... )
So these for today, egret, giant turtle saving world,
pseudo archeology and one of the good people I have known.
I think it is worth to remember as well as one can holy
people one has known, and recognized as touched by
the holy...
as always invite all you have on these or on anything else
at all, yours
+Seraphim
.Egret in our pond today.
я так смотрю "СУМКА ИНКАССАТОРА" 77-го года пользуется большой популярностью, раз в неделю да идет!
вообще все наше тв можно смело называть ретро. это писец.
( есче )



Основною ідеєю цієї активності є бажання об’єднати незнайомих між собою людей спільною некомерційною та неполітичною справою.
Іншими словами ми прагнемо створювати кожного разу новий позитивно заряджений простір для спілкування людей різного віку,
різних професій, з різних країн, але однаково творчих, цікавих та відкритих до спілкування.
Шиття килиму відбувається кожної неділі на одній з площ міста Києва
Наступного разу, цієї неділі 19.07.09 дія відбуватиметься в сквері біля театру ім. І.Франка 3 12 до 18.00
Приходьте, і якщо є, приносьте старий одяг червоного кольору)
Лінки на фотозвіти з минулих зустрічей під катом
http://alinkaalinka.livejournal.com/412
http://alinkaalinka.livejournal.com/424
http://alinkaalinka.livejournal.com/434
http://alinkaalinka.livejournal.com/441
http://alinkaalinka.livejournal.com/457
http://alinkaalinka.livejournal.com/465
http://alinkaalinka.livejournal.com/474
http://alinkaalinka.livejournal.com/482
http://alinkaalinka.livejournal.com/489
http://alinkaalinka.livejournal.com/497







